This is an in-depth study of the intellectual, technical, and artistic encounters between Europe and China in the late eighteenth century, focusing on the purposeful acquisition of information and images that characterized a direct engagement with the idea of "China." The central figure in this story is Henri-Leonard Bertin (1720-1792), who served as a minister of state under Louis XV and, briefly, Louis XVI. Both his official position and personal passion for all things Chinese placed him at the center of intersecting networks of like-minded individuals who shared his ideal vision of China as a nation from which France had much to learn. John Finlay examines a fascinating episode in the rich history of cross-cultural exchange between China and Europe in the early modern period, and this book will be an important and timely contribution to a very current discussion about Sino-French cultural relations. This book will be of interest to scholars in art history, visual culture, European and Chinese history.

This is an in-depth study of the intellectual, technical, and artistic encounters between Europe and China in the late eighteenth century, focusing on the purposeful acquisition of information and images that characterized a direct engagement with the idea of "China." The central figure in this story is Henri-Leonard Bertin (1720-1792), who served as a minister of state under Louis XV and, briefly, Louis XVI. Both his official position and personal passion for all things Chinese placed him at the center of intersecting networks of like-minded individuals who shared his ideal vision of China as a nation from which France had much to learn. John Finlay examines a fascinating episode in the rich history of cross-cultural exchange between China and Europe in the early modern period, and this book will be an important and timely contribution to a very current discussion about Sino-French cultural relations. This book will be of interest to scholars in art history, visual culture, European and Chinese history.

This is an institutional history of Scotland's 18th century legal community. How important can a court and its members be in influencing the development of a country? In Scotland's case, the answer is surprising. The remarkable metamorphosis of eighteenth-century Edinburgh, from crisis conditions in the 1690s through the Union to the intellectual heights of Enlightenment and the development of the spectacular New Town, owed a great deal to those who spent their professional lives working in the Court of Session as members of the unique institution known as the College of Justice. James Boswell, Lord Kames, Henry Dundas and Walter Scott are just some of those who emerged from the College to influence Scotland's place in Europe. This study investigates the important role of College members in the cultural and economic flowering of Scotland as a whole, and Edinburgh in particular. It argues that a single Law institution had a marked influence on the Scottish cultural landscape to the present day. It is an original study making use of a range of manuscript sources. No existing work has made such extensive use of session papers or has looked at the manuscript town council minutes of Edinburgh in such depth for legal historical purposes. It reveals the working milieu within which Scots law developed at a key period following the parliamentary Union of 1707 as Scots law consolidated itself as one of the world's few mixed jurisdictions. It shows the development of Edinburgh's history as an example of community interaction in an urban setting in comparison to courts across Europe and elsewhere.

What was it like to practise as a lawyer and bank agent in a rural Scottish community on the cusp of modernity? George Craig was Sir Walter Scott's local banker, a writer, insurance agent, election agent and baron bailie of Galashiels. Based on thousands of recently discovered letters, this is the first study of a provincial nineteenth-century Scots lawyer and the community he served. Craig's many correspondents, from manufacturers, bankers, lawyers and law agents in London, Dublin, Jamaica and the US to weavers, tenant farmers and town clerks reflect Borders life in all its intensity and his letters paint a detailed picture of everyday existence. His story affords a fascinating glimpse of legal practice and estate management across the Borders, during a time of economic and political change, as Galashiels grew from a village into an important manufacturing centre.

This is the first institutional history of Scotland's 18th-century civil court and its legal community. 18th-century Edinburgh owed much to the men who worked in the Court of Session as members of the unique institution known as the College of Justice. James Boswell, Lord Kames, Henry Dundas and Walter Scott are just some of those who emerged from the College to influence Scotland's place in Europe. The Court of Session records uncovered by John Finlay show a cross-section of Scottish society experiencing Edinburgh's legal processes in the 18th century. This study investigates the important role of College members in the cultural and economic flowering of Scotland as a whole, and Edinburgh in particular, and argues that a single Law institution had a marked influence on the Scottish cultural landscape to the present day. This is an original and wide-ranging study based on primary sources, including newly discovered records from the Court of Session. It gives you insights into the history of urban administration, the legal profession and the Court of Session. It considers the legal and social community responsible for the development of Scots law at a key period in its development. It is suitable for anyone studying the sources and singularity of Scots Law, and the social history of the 18th century.

Pop art is one of the most pivotal movements in modern art. It challenged the conventional idea of fine art and recognised the pervasive nature of materialism and consumerism that had taken over 20th-century society. This beautifully illustrated book explores Pop art's origins in modern European avant-garde movements such as Cubism and Dadaism, prior to its true beginnings in early 1950's London with the Independent Group and their fascination with American popular culture - leading to the name 'Pop'. Guiding the reader through the work of some of the most well-known practitioners, such as Warhol and Lichtenstein, this compelling book also travels the world to examine how Pop art influenced artists as far afield as Italy, Spain, Finland, Japan, Australia and New Zealand. Key figures include Japan's Yayoi Kusama and Italy's Mimmo Rotella. POP! The World of Pop Art explains how - and why - this movement appealed to so many diverse artists on so many levels, including often overlooked female artists who were central to the Pop art scene. Finally, POP! considers the influence of Pop art on other genres, in particular as the precursor to post-modernism and contemporary forms of art. With 15 faithfully reproduced documents, including items from the studios of a number of artists, POP! The World of Pop Art gives a unique insight into this celebrated movement.

This Is A New Release Of The Original 1859 Edition.

In Two Volumes. This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

In Two Volumes. This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm33070925Includes index.Dublin: J. Cumming, 1827. xiii, 187, vi p.; 24 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++York University Law School Libraryocm32949659Includes index.Dublin: J. Cumming, 1829. xxiv, 362 p.; 23 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm33070816Includes index.Dublin: J. Cumming, 1825. vii, 522, xv p.; 22 cm.

Including The Six Recommended For Publication By The Judges At The Crystal Palace Competition, Many Of The Highly Commended, And Several Prize Poems.

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e